Join the Logan Center as we embark on 10 more years of arts practice, presentation, and participation.
2023 IN BRIEF: CALENDAR HIGHLIGHTS
The Reva & David Logan Center for the Arts reached an important milestone in October 2022: our 10th anniversary. We knew a single day or even a single month would not be enough to celebrate the impact of the Logan Center over the last decade, so we devoted an entire year to marking this important anniversary. In 2023, the Logan Center was home to 225 University art courses and more than 750 events, including performances, exhibitions, screenings, concerts, lectures, workshops, K-12 school matinees, youth & family activities, and more. Below is the briefest of brief glimpses back on exciting arts & culture happenings at the Logan Center.
All of these events—indeed, everything we do at the Logan Center—are thanks in large part to a collaborative network of creative and cultural partners.
AN UNEXPECTED ODE
avery r. young is as much a part of the Logan Center as our very foundation stones, as the tiles and textures of our walls, as our many spaces and stages. The writer, performer, educator, composer, producer, visual artist, activist, and City of Chicago’s Inaugural Poet Laureate has been with the Logan Center from the beginning—no, even before the beginning, when the Logan Center was a hope, a distant glimmer. avery has been our partner and our champion, a practitioner in our building and an educator for our community, and a loyal friend.
Whether he’s showcasing his own artistic practice or partaking of the works of others presented at the Logan Center, we know avery will be there with his boundless energy and his sincere enthusiasm for culture and community. It’s always a fun day when avery walks through our doors. We expect to see him at the Logan Center the same way we expect the sun to rise.
What we did not expect was for avery to gift us an original poem at our 10th birthday party.
avery surprised and delighted Logan Center staff and audiences with this fresh new work at our Birthday Bash in May. We publish it here for the first time, with an introduction by another Chicago artist and Logan Center’s Senior Director of Programming & Engagement, Emily Hooper-Lansana.
We are thrilled to share with you this visual poem by avery r. young, an artist Theaster Gates has called “one of our greatest living street poets…one of the most important thinkers on the Black experience.”
“We hold on to people.”
This refrain centers the poem that Chicago’s first Poet Laureate, avery r. young, wrote in honor of the Logan Center’s 10th anniversary. It exemplifies the ways in which the Logan Center has worked to build lasting relationships and meaningful partnerships. And it speaks to the way that faculty members, artists, community members, students, and staff have come to experience and invent this building as a space of creative possibility over the past decade.
Something about the Logan Center engenders creative exploration. Perhaps it is the artistry assembled in the architecture—the open spaces and expansive views that create space for convening, gathering, reflecting, and creating.
Perhaps it is the feeling of connection that comes from people gathered inside—those who walk through the open doors again and again to see, make, reflect on, discuss, and debate art, and to begin to realize their visions of artistic practice in the world.
avery's poem demonstrates the nuance of what it means to be an artist in relationship with a place over time. As he illustrates moments when he has performed, taught, mentored, and crafted, we experience with him the memories of artists and community members who have moved through the space over the years.
avery is a force: an interdisciplinary artist and a visionary. Over the last ten years, he has been part of the building’s evolution as a creator and an audience member, and the walls of the Logan Center hold echoes of his creative collaboration and care. His poem is an intimate walk that conjures the potential of an open and welcoming future. When we find a place where we hold onto people, we don’t only want to visit—we want to return.
—Emily Hooper-Lansana., Senior Director of Programming & Engagement, Logan Center
dream no.3653 | written by avery r. young
for the Reva & David Logan Center for the Arts on the occasion of its 10th Anniversary.
Click on the images to read in pop-out, or view the poem as a PDF here >>
2023: A QUICK LOOK AT…
We could spend all of 2024 reminiscing on the partnerships, performances, & projects of 2023. However, time is limited, so we want to focus on just a few key programs made by possible through the generosity of our donors and supporters.
EXHIBITIONS
The Logan Center is an adaptable cultural space. In addition to our primary visual arts spaces, the Gallery and Café Logan, we present exhibitions, shows, and installations in virtually any available nook in the building. Our Exhibitions program includes permanent installations, such as our rotating collection of Henri Matisse: Jazz prints and Pope.L’s “Cliff”; quarterly exhibitions like this year’s Makes Me Wanna Holla: Art, Death & Imprisonment; and ongoing curatorial projects like Untidy Objects and Ciera McKissick’s A Space of Rest & Reflection. We facilitate student thesis shows for UChicago BAs and MFAs in visual arts, and actively seek artists and partners from our community to present their work in our space. This year, we proudly hosted in Café Logan solo shows such as Shane-Jahi Jackson: Voices Through the Orb and Black is Beautiful: Photographs by Tony Smith. The Logan Center also partnered this year with various academic departments and community arts workshop leaders to host “micro exhibitions” in the display cases lining our Level One and Level Two hallways; these included Sculpting in Two Dimensions: Arabic Calligraphy by Nihad Dukhan and Harry Detry: ETHEREAL MASKS to name just two.
In all, the Logan Center presented 25 official exhibitions in 2023. That total does not include the ephemeral arts content our students, faculty, staff, and resident partners displayed or erected throughout the year.
K-12 EDUCATION
The Logan Center firmly believes in the importance of arts access for K-12 students (and accompanying professional development for teachers!). As part of one of the world’s leading research institutions, we have plenty of data demonstrating arts education contributes significantly to the practical, social, and emotional learning needs of students. The schools and educators who routinely participate in our K-12 programs report that students are more engaged and empathetic critical thinkers as a result of arts exposure.
Within the overlapping 2022-23/2023-24 academic years, the Logan Center will have presented 24 free monthly matinees for Chicago Public Schools (CPS), with accompanying Professional Development opportunities for teachers and special invitations to non-CPS education providers. Our School Matinees program includes free tickets and free transportation for registered schools.
BLUES MUSIC
Through both original and partnership-led programming, the Logan Center has established its place in the Chicago Jazz scene. Over the last few years, we have focused on how Chicago presents, performs, and preserves its place in the legacy of the Blues. Logan Center Blues programming honors the South Side roots of the blues tradition with performances by emerging artists and legendary award-winning blues musicians.
In 2023, we increased our concentration on the important historical, narrative, and geographic qualities of blues music, and the sociopolitical relationship between blues music and various cultural identities. This year, Logan Center Blues programming took a journey through Appalachia via music, painting, and authorship; explored the shared history of enslaved Africans and Celtic immigrants; and launched a new Blues season that experiments with vibrant blues pairings, presents intergenerational concerts, and encourages musicians of all levels to play together.
Image: Sentiments of Home, 70x78 in. oil on canvas. Ronald Jackson
DANCE
The Logan Center’s Chicago Black Dance Legacy Project (CBDLP) is one of our most timely programmatic initiatives. Launched in 2019, CBDLP brings together a cohort of dance companies to learn from each other and leverages the resources of the Logan Center and other University of Chicago entities to bolster Black Dance companies’ operational capacity to ensure the long-term survival of their legacies.
This year, the CBDLP welcomed its second cohort of dance companies at the cohort’s inaugural concert, Sans Pareil, and saw two major recognitions: a new commission from ART on THE MART, one of the world’s largest digital art platforms that transforms one of Chicago’s architectural landmarks into a permanent, larger-than-life canvas; and an invitation to perform at Ravinia, an internationally renowned music festival.
STUDENT ARTS GRANTS
The Logan Center’s Grant programs aim to incentivize creative projects between undergrad students and across artistic disciplines, while encouraging students across campus to expand their skill sets and knowledge through use of the Logan Center’s rich resources—from our shops and rehearsal spaces to our staff and visiting artists.
In 2023, the Logan Center Co-Creation Grant made possible three student projects that benefit from our suite of resources. Mobile artwork gulch, interactive installation Permanence, and neXus Dance Collective’s Mural of Dance were all site-specific from origination to creation and presentation.
ARTS LABS@MADD CENTER
UChicago’s Media Arts, Data, & Design (MADD) Center is a 20,000-square-foot collaborative partnership space of UChicago Arts, the Physical Sciences Division, the UChicago Library, and the Division of the Humanities. That square footage matters because the MADD Center boasts an expansive resources suite that includes 3D printers, embroidery machines, tabletop games, video game libraries, gaming consoles, virtual reality bays, modeling stations, and more. The MADD Center is located on the first floor of the John Crerar Library.
The Logan Center originated and operates, on behalf of UChicao Arts, MADD’s two Arts Labs: the Hack Arts Lab (HAL) and the Weston Game Lab (WGL). Our dedicated staff encourage and assist technology-rich explorations, presentations, and production of student, faculty, and staff works. Our Arts Labs teams also engage our local community youth and adult learners in tech topics and workshops.
As we conclude 2023, we draw to your attention this exciting happening: a game release! A team of nine UChicago students, with guidance from WGL and support from UChicago Careers, produced “At Winter’s End,” a cozy narrative digital dice-rolling RPG.
AN ALUM REFLECTS AT OUR BIRTHDAY BASH
”Every year, early in Winter Quarter, UChicago Maya holds an entirely student-choreographed, student-run show at Logan. It's one of the highlights of each season—the first time our new members get to experience what it means to continue dancing in college, a time to get to know everyone better while rehearsing and studying during tech week, and an avenue for us to push the limits of our creativity and professionalism as a company. The pictures are from my last show at Logan in 2020, right before the pandemic pushed us into lockdown. I have so many good memories of running around Logan that year to make the show happen, from doing our studio shoot and laying the Marley to working on lights and sound and standing in the wings to watch our dancers shine.
Before there was a more established dance program at the College, Logan provided us access to dance/studio spaces, a wood shop for props, and a place to put our art form out there, to be seen alongside the already thriving theater program. I'm so happy to see how the administration continues to foster community and grow partnerships with internal and external dance organizations, and I'm hopeful this continues. If you're a Maya member reading this, big shout out to you.”
—Isabella Lee, UChicago Alum (BA’02 Economics, BS’02 in Statistics, MS’02 Computer Science)
10GAN CENTER STORIES
This year, we invited our long-term partners, loyal audiences, faculty, students, alumni, and staff to reflect on the role the Logan Center has played in their lives, from arts practice to community building. We received so many submissions ranging from videos to prose to written reflections. Here, we would like to share just a few.
A CROWNING CLOSE
“What’s amazing about Chicago’s music culture is that it keeps growing even if the city stays about the same. It’s classical music, which populates the region with well-funded orchestras and smaller ensembles marking decades of history, or new music groups having fresh successes, performing the work of living composers to a receptive audience. It’s folk, jazz, world, and country music played at a bustling bunch of newer venues while existing clubs and institutions celebrate their own milestones of experience and growing audiences. It’s rock, hip-hop, and electronic music, played at all the club stalwarts that date their lineage to the eighties and early nineties, as well as a growing number of newer venues, large and small. And then there’s all the support systems that this city of music requires: record labels, managers, recording engineers, schools, and media. It’s a great time to be a music fan in Chicago.”
—Brian Hieggelke, Newcity
The Logan Center is proud to have served as the visual backdrop to the return of Newcity magazine’s popular “Music 45” issue.
The issue looks at 45 people who move and shake in Chicago’s music scene: performers, programmers, record makers, educators, media, and, of course, venues. The Logan Center was recognized as one of those venues and was also chosen to host the issue’s gorgeous photo profiles shot by Sandy Morris of Sally Blood Photo.
Bill Michel, Logan Center’s Executive Director, and Mashaune Hardy, our Associate Director of Partnerships for Community Arts, were recognized for all they do in ensuring the Logan Center’s success as host for “an amazingly diverse array of music performers, organizations, and audiences—spanning virtually every music genre.” Sarah Curran and Augusta Read Thomas were also recognized in this issue.
CHECK OUT NEWCITY’S 2023 MUSIC 45 ISSUE >>
SNEAK PEEK AT 2024
Blues, Blues, Blues
Performances from Nat Meyers, Diunna Greenleaf, Amythyst Kiah & Carolyn Wonderland, and Billy Branch & Sons of Blues with Carlos Johnson, the Stephen Hull Experience with Andrew Alli, and Harrell ‘Young Rell’ Davenport. Plus, a new First Wednesday Blues & Beyond Jam Sessions with Kenny “Beedy Eyes” Smith. Learn more >>
Digital Storytelling Initiative’s Production Institute
The recent cohort of students in the Logan Center’s Production Institute, a program of the Digital Storytelling Initiative (DSI) that supports local emerging filmmakers, held their final screening event in October. The DSI will begin accepting applications for the next cohort in Spring 2024. Learn more >>
Student Pitch It! Grant
We are preparing to announce an exciting new opportunity that extends our student grant program to students at levels (undergrad, grad, and post-grad) and across all disciplines (arts, law, business, medicine, etc.). Accepted grantees will present their final projects or performances in 2024, and we’re already excited about seeing them!
Beyond This Point
Beyond This Point is an exploratory collaboration seeking to investigate resonances and intersections across several practices including theater, movement, media/film, non-traditional musical forms, sculpture, text, and installations both static and performative. They perform at the Logan Center in 2024 in the first-ever double instance of CHIMEfest. Learn more >>
TAPS Students in a Ballad of Opportunities
In February, TAPS is set to showcase JC Clementz's production, The Ballad of Oedipus. This presentation not only features an all-student cast but also provides theater enthusiasts with the opportunity to engage in every facet of the production. Student assistants will benefit from mentorship and feedback provided by the professional production crew. Learn more >>
Double Bill: Ballet Featuring Two World Premieres
Ballet 5:8 takes to the Logan Center stage with Butterfly: Hope in the Terezin Ghetto, set to music composed in the haunting confines of the concentration camp and featuring artwork created by the children Terezin. The work’s return to Chicago is accompanied by two world premieres, Steve Rook’s Wind and Julianna Rubio Slager’s Counterpart. Learn more >>
Logan Center: A South Side Home of Creative Possibilities.
The Logan Center has become a place that inspires creative exploration in all generations, and our capacity to do so is directly linked to our strong and enthusiastic community of supporters. With you, we look forward to the next ten years—and beyond!—of bolstering student and community artistic experience and faculty research while providing platforms for artists hyper-locally and globally to deepen their practice, kindle collaborations, and attract new audiences. Donate today >>